Sight and Sound May 25
On the cover: A celebration of 25 years of In the Mood for Love, with new interviews from Wong Kar Wai, Maggie Cheung, William Chang, Christopher Doyle and more, and a fresh reflection on the film by Jessica Kiang
Inside: A tribute to Gene Hackman, Jia Zhangke on his life in films, Karina Longworth on You Must Remember This, gig economy cinema, Kurosawa Kiyoshi interviewed, and Kevin MacDonald on John and Yoko
“At the time, [In the Mood for Love] was one of the most difficult productions I’d ever done. But now, when I think back, what I remember are the small moments. Time has a way of softening the edges of memory. Perhaps [it endures] because the film isn’t really about 1960s Hong Kong, but about something more fundamental – how we connect with each other, how we navigate desire and restraint, how we construct narratives to make sense of our lives. These are questions that don’t date, that every generation has to answer for itself.”
— Wong Kar Wai, speaking in the new issue of Sight and Sound
https://www.bfi.org.uk/news-opinion/sight-sound-magazine
Sight and Sound is published monthly.
On the cover: A celebration of 25 years of In the Mood for Love, with new interviews from Wong Kar Wai, Maggie Cheung, William Chang, Christopher Doyle and more, and a fresh reflection on the film by Jessica Kiang
Inside: A tribute to Gene Hackman, Jia Zhangke on his life in films, Karina Longworth on You Must Remember This, gig economy cinema, Kurosawa Kiyoshi interviewed, and Kevin MacDonald on John and Yoko
“At the time, [In the Mood for Love] was one of the most difficult productions I’d ever done. But now, when I think back, what I remember are the small moments. Time has a way of softening the edges of memory. Perhaps [it endures] because the film isn’t really about 1960s Hong Kong, but about something more fundamental – how we connect with each other, how we navigate desire and restraint, how we construct narratives to make sense of our lives. These are questions that don’t date, that every generation has to answer for itself.”
— Wong Kar Wai, speaking in the new issue of Sight and Sound
https://www.bfi.org.uk/news-opinion/sight-sound-magazine
Sight and Sound is published monthly.
On the cover: A celebration of 25 years of In the Mood for Love, with new interviews from Wong Kar Wai, Maggie Cheung, William Chang, Christopher Doyle and more, and a fresh reflection on the film by Jessica Kiang
Inside: A tribute to Gene Hackman, Jia Zhangke on his life in films, Karina Longworth on You Must Remember This, gig economy cinema, Kurosawa Kiyoshi interviewed, and Kevin MacDonald on John and Yoko
“At the time, [In the Mood for Love] was one of the most difficult productions I’d ever done. But now, when I think back, what I remember are the small moments. Time has a way of softening the edges of memory. Perhaps [it endures] because the film isn’t really about 1960s Hong Kong, but about something more fundamental – how we connect with each other, how we navigate desire and restraint, how we construct narratives to make sense of our lives. These are questions that don’t date, that every generation has to answer for itself.”
— Wong Kar Wai, speaking in the new issue of Sight and Sound
https://www.bfi.org.uk/news-opinion/sight-sound-magazine
Sight and Sound is published monthly.
